One of the last private Sandro Botticelli portraits sold at auction for over $ 92 million (after taxes) at Sotheby’s New York on Thursday morning.
The 15th century painting “Young Man Holding a Roundel” became the most expensive work of the renaissance artist that has ever appeared at auction and the most valuable Old Masters work ever sold at a Sotheby’s, the auction house announced.
It is believed to have been produced in the late 1470s or early 1480s, the portrait was bought by its previous owner in 1982 for just £ 810,000 (just over $ 1 million in today’s money). It depicts an unidentified young man holding a small circular painting known as a roundel.
Roundel itself contains a miniature religious portrait of the 14th-century Sienese painter Bartolomeo Bulgarini, which Botticelli incorporated into the work.

Botticelli incorporated the work of a previous artist into the roundel held by his unidentified subject. Credit: Sotheby’s
Although not as well known as Botticelli’s masterpieces such as “The Birth of Venus” and “Spring,” the portrait sold on Thursday “depicts the quintessential Renaissance man,” the Apostle said. “It has a very modern feel, largely due to its amazing condition and setting,” he said.
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Although celebrated during his lifetime, Botticelli’s legacy faded after his death in 1510. It was not until the end of the 19th century that he rekindled interest in his work.
Botticelli rarely produced portraits, concentrating most of his career on religious scenes and paintings from classical mythology. Only a dozen or so are known to have survived, almost all of which are now found in museum collections.

“The Birth of Venus”, presented at the Uffizi Gallery in Florence in 2016. Credit: Alberto Pizzoli / AFP / Getty Images
“Young Man Holding a Roundel” was the star of Sotheby’s “Master Paintings and Sculpture”, which brought together still life paintings and portraits of famous European artists. The other notable batch, a rare biblical scene by Rembrandt entitled “Abraham and the Angels,” which had not been auctioned since the 1840s, was one of four works withdrawn just before the sale began.